Sounding lines attends to the complex shifts and constant reformulation of bodies, working with/in/between human bodies, non-human bodies and bodies of language. Stemming from the affective-associative qualities of two particular material things—the sounding lines that give the work its name—Sounding lines creates a situation in which one specific entanglement of bodies unfolds.
Sounding lines was developed during research residencies at Weld and c.off and has been presented at:
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